Book Talk: How do you beat reading slump?

I have not read for a while now. One of my bookmarks is stuck on page 60 of Atwood’s Alias Grace; the other is on page 12 of Ikigai.

I could not keep up.

My mind is in disarray. There’s a live wire inside of me that carries alternating concern and indifference. If I switch between the two, I’d short circuit either way.

A funny metaphor, I know. And probably erroneous too, but who would pay much attention to such mistake when the world has had enough of it?

How are you?
Are you living well?
I hope so…

This is me on my third try at getting back to life. It Cornwell’s From Potter’s Field this time.

Wrap-Up | November 2020

So, we are down to final month of this challenging year. I know it has been hard all of us but I hope everyone is safe, sound and thriving.

November — the month that was. It’s when half of the world transitions from autumn to winter. It’s when dead souls are honored and bounties are celebrated. It’s when creatives around the world try their hands at National Novel Writing Month (NaNoWriMo).

I guess for me it would be “Nah, no writing November.” Anyhow, here’s a quick wrap-up.

Things I’ve written…

Continuing my #throwbackpoems, I have shared two from IG this month: Two Ghosts and Her name spells resilience. November 11 also marks Fyodor Dostoevsky’s birthday who would be 199 years old had he lived today. To commemorate, I shared Writer’s Quote Wednesday – On knowing, thinking and doing.

Books I’ve read…

My book collection is still continuously growing — all thanks to online resellers and Booksale. And despite the rise of scammers online, I was lucky enough to transact with kind and honest people who helped me find the books in my TLF (to look for) list. For this month, these are the gems that I got:

Quick Notes: The Handmaid’s Tale by Margaret Atwood

Genre: Modern Classic/Dystopia
Copy: Paperback
Rating: 🌕🌕🌕🌕🌖

Quick Notes: “Are there any questions?”

To some, this might just be an ordinary statement of inquiry. But to those who have read Margaret Atwood’s The Handmaid’s Tale, these four words carry too much weight.

Originally published in 1985, Atwood’s dystopian novel takes readers to the fictional Republic of Gilead. It follows Offred, a Handmaid assigned to a high-ranking commander and his wife. In an age of declining births, Handmaids are valued only for their capability to procreate. They are held prisoners — stripped off their past and future. They are forbidden to read, write, or interact with the outside world. They are meant only to bear children for their assigned commander and failure to do so warrants death.

The story ends with Professor Pieixoto’s final line, “Are there any questions?” To me this seems like a rhetorical question asked not to get an answer but instead to emphasize a point. It forces us to question our role as witnesses — both of Offred’s tale and of our own history of oppression.

Do we forget and stay silent? Do we remain neutral and indifferent? Do we stand up and fight?

The Handmaid’s Tale, told in simplistic prose, is a clarion call for upholding women’s rights to take control over our own bodies, choices and lives. With the current political climate, this book is definitely a must-read.

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This post first appeared in Writers Quote Wednesday: Are there any questions?

Writers Quote Wednesday: Are there any questions?

There is more than one kind of freedom,” said Aunt Lydia. “Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from. Don’t underrate it.

― Margaret Atwood, The Handmaid’s Tale

Are there any questions?

To some, this might just be an ordinary statement of inquiry. But to those who have read Margaret Atwood’s The Handmaid’s Tale, these four words carry too much weight.

Originally published in 1985, Atwood’s dystopian novel takes readers to the fictional Republic of Gilead. It follows Offred, a Handmaid assigned to a high-ranking commander and his wife. In an age of declining births, Handmaids are valued only for their capability to procreate. They are held prisoners — stripped off their past and future. They are forbidden to read, write, or interact with the outside world. They are meant only to bear children for their assigned commander and failure to do so warrants death.

The book ends with Professor Pieixoto’s final line, Are there any questions? To me this seems a rhetorical question asked not to get an answer but instead to emphasize a point. It forces us to question our role as witnesses, both of Offred’s tale and of our own history of oppression.

Do we forget and stay silent? Do we remain neutral and indifferent? Do we stand up and fight?

You! Yes, you. As The Handmaid’s Tale becomes grimly relevant these days, would you ask a question?